Film
The Canon
Not another opinion. This is the hundred films that the major critical polls actually agree on, scored from their published ballots by a stated method, with every placing traceable back to the list it came from.
The hundred
Each row names every poll that placed the film and where. The bar is the film’s score as a share of a perfect sweep, which nothing gets near.
01
Citizen Kane1941
- British Film Institute, critics #3
- British Film Institute, directors #2
- American Film Institute #1
- Cahiers du cinema #1
- The Village Voice #1
- IMDb #118
- The Criterion Collection listed
02
The Godfather1972
- British Film Institute, critics #12
- British Film Institute, directors #3
- American Film Institute #2
- Cahiers du cinema #36
- The Village Voice #12
- IMDb #2
- Letterboxd #18
03
Seven Samurai1954
Shichinin no samurai
- British Film Institute, critics #20
- British Film Institute, directors #14
- Cahiers du cinema #50
- The Village Voice #23
- BBC Culture #1
- IMDb #24
- Letterboxd #6
- The Criterion Collection listed
04
Tokyo Story1953
Tōkyō monogatari
- British Film Institute, critics #4
- British Film Institute, directors #4
- Cahiers du cinema #14
- The Village Voice #36
- BBC Culture #3
- IMDb #221
- Letterboxd #44
- The Criterion Collection listed
05
Vertigo1958
- British Film Institute, critics #2
- British Film Institute, directors #6
- American Film Institute #9
- Cahiers du cinema #8
- The Village Voice #3
- IMDb #117
06
2001: A Space Odyssey1968
- British Film Institute, critics #6
- British Film Institute, directors #1
- American Film Institute #15
- Cahiers du cinema #43
- The Village Voice #11
- IMDb #106
07
La Règle du jeu1939
- British Film Institute, critics #13
- British Film Institute, directors #38
- Cahiers du cinema #2
- The Village Voice #2
- BBC Culture #5
- The Criterion Collection listed
08
City Lights1931
- British Film Institute, critics #36
- British Film Institute, directors #52
- American Film Institute #11
- Cahiers du cinema #16
- The Village Voice #38
- IMDb #55
- Letterboxd #146
- The Criterion Collection listed
09
The Passion of Joan of Arc1928
La Passion de Jeanne d'Arc
- British Film Institute, critics #21
- British Film Institute, directors #30
- Cahiers du cinema #58
- The Village Voice #8
- BBC Culture #23
- IMDb #248
- Letterboxd #50
- The Criterion Collection listed
10
Singin' in the Rain1952
- British Film Institute, critics #10
- British Film Institute, directors #52
- American Film Institute #5
- Cahiers du cinema #7
- The Village Voice #73
- IMDb #89
- Letterboxd #112
11
Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles1975
- British Film Institute, critics #1
- British Film Institute, directors #4
- The Village Voice #19
- BBC Culture #14
- Letterboxd #214
- The Criterion Collection listed
12
Apocalypse Now1979
- British Film Institute, critics #19
- British Film Institute, directors #18
- American Film Institute #30
- Cahiers du cinema #65
- IMDb #57
- Letterboxd #41
13
Bicycle Thieves1948
Ladri di biciclette
- British Film Institute, critics #41
- British Film Institute, directors #20
- Cahiers du cinema #86
- The Village Voice #37
- BBC Culture #2
- IMDb #134
- Letterboxd #187
- The Criterion Collection listed
14
The Searchers1956
- British Film Institute, critics #15
- British Film Institute, directors #72
- American Film Institute #12
- Cahiers du cinema #9
- The Village Voice #4
15
M1931
- British Film Institute, critics #36
- Cahiers du cinema #6
- The Village Voice #22
- BBC Culture #13
- IMDb #114
- Letterboxd #179
- The Criterion Collection listed
16
Sunrise: A Song of Two Humans1927
- British Film Institute, critics #11
- British Film Institute, directors #33
- American Film Institute #82
- Cahiers du cinema #4
- The Village Voice #6
17
In the Mood for Love2000
- British Film Institute, critics #5
- British Film Institute, directors #9
- BBC Culture #9
- Letterboxd #86
- The Criterion Collection listed
18
Pather Panchali1955
- British Film Institute, critics #35
- British Film Institute, directors #22
- The Village Voice #13
- BBC Culture #15
- Letterboxd #140
- The Criterion Collection listed
19
Rashomon1950
- British Film Institute, critics #41
- British Film Institute, directors #20
- The Village Voice #10
- BBC Culture #4
- IMDb #182
- The Criterion Collection listed
20
Close-Up1990
- British Film Institute, critics #17
- British Film Institute, directors #9
- The Village Voice #64
- BBC Culture #39
- Letterboxd #62
- The Criterion Collection listed
21
Psycho1960
- British Film Institute, critics #31
- British Film Institute, directors #46
- American Film Institute #14
- The Village Voice #20
- IMDb #38
- Letterboxd #150
22
Persona1966
- British Film Institute, critics #18
- British Film Institute, directors #9
- BBC Culture #6
- Letterboxd #87
- The Criterion Collection listed
23
The Night of the Hunter1955
- British Film Institute, critics #25
- British Film Institute, directors #41
- Cahiers du cinema #2
- The Village Voice #35
- Letterboxd #220
- The Criterion Collection listed
24
L'Atalante1934
- British Film Institute, critics #34
- British Film Institute, directors #46
- Cahiers du cinema #5
- The Village Voice #7
- BBC Culture #50
25
The 400 Blows1959
Les Quatre Cents Coups
- British Film Institute, critics #50
- British Film Institute, directors #33
- Cahiers du cinema #58
- The Village Voice #47
- BBC Culture #8
- Letterboxd #173
- The Criterion Collection listed
26
Barry Lyndon1975
- British Film Institute, critics #45
- British Film Institute, directors #12
- Cahiers du cinema #65
- The Village Voice #46
- IMDb #183
- Letterboxd #54
- The Criterion Collection listed
27
À bout de souffle1960
- British Film Institute, critics #38
- British Film Institute, directors #14
- Cahiers du cinema #65
- BBC Culture #11
- The Criterion Collection listed
28
Some Like It Hot1959
- British Film Institute, critics #38
- British Film Institute, directors #62
- American Film Institute #22
- Cahiers du cinema #50
- IMDb #142
- Letterboxd #183
- The Criterion Collection listed
29
Mirror1975
Zerkalo
- British Film Institute, critics #31
- British Film Institute, directors #8
- BBC Culture #20
- Letterboxd #149
- The Criterion Collection listed
30
Taxi Driver1976
- British Film Institute, critics #29
- British Film Institute, directors #12
- American Film Institute #52
- The Village Voice #34
- IMDb #143
31
Au hasard Balthazar1966
- British Film Institute, critics #25
- British Film Institute, directors #37
- The Village Voice #9
- BBC Culture #52
- The Criterion Collection listed
32
8½1963
- British Film Institute, critics #31
- British Film Institute, directors #6
- BBC Culture #7
- Letterboxd #219
- The Criterion Collection listed
33
The Godfather Part II1974
- British Film Institute, directors #26
- American Film Institute #32
- The Village Voice #31
- IMDb #4
- Letterboxd #8
34
The Battle of Algiers1966
La battaglia di Algeri
- British Film Institute, critics #45
- British Film Institute, directors #22
- BBC Culture #19
- IMDb #246
- Letterboxd #28
- The Criterion Collection listed
35
Le Mépris1963
- British Film Institute, critics #54
- British Film Institute, directors #46
- Cahiers du cinema #15
- The Village Voice #49
- BBC Culture #60
- The Criterion Collection listed
36
Ordet1955
- British Film Institute, critics #48
- British Film Institute, directors #30
- The Village Voice #17
- BBC Culture #65
- Letterboxd #126
- The Criterion Collection listed
37
Beau Travail1999
- British Film Institute, critics #7
- British Film Institute, directors #14
- BBC Culture #43
- The Criterion Collection listed
38
Man with a Movie Camera1929
- British Film Institute, critics #9
- British Film Institute, directors #30
- The Village Voice #5
- BBC Culture #73
39
Playtime1967
- British Film Institute, critics #23
- British Film Institute, directors #41
- Cahiers du cinema #65
- BBC Culture #33
- The Criterion Collection listed
40
Stalker1979
- British Film Institute, critics #43
- British Film Institute, directors #14
- BBC Culture #49
- Letterboxd #78
- The Criterion Collection listed
41
Sunset Blvd.1950
- British Film Institute, critics #78
- British Film Institute, directors #62
- American Film Institute #16
- The Village Voice #45
- IMDb #65
- Letterboxd #40
42
La Dolce Vita1960
- British Film Institute, critics #60
- British Film Institute, directors #35
- Cahiers du cinema #58
- BBC Culture #10
- Letterboxd #222
- The Criterion Collection listed
43
Andrei Rublev1966
- British Film Institute, critics #67
- British Film Institute, directors #26
- Cahiers du cinema #76
- BBC Culture #40
- Letterboxd #39
- The Criterion Collection listed
44
It's a Wonderful Life1946
- American Film Institute #20
- Cahiers du cinema #58
- The Village Voice #16
- IMDb #21
- Letterboxd #36
45
Do the Right Thing1989
- British Film Institute, critics #24
- British Film Institute, directors #29
- American Film Institute #96
- Letterboxd #68
- The Criterion Collection listed
46
North by Northwest1959
- British Film Institute, critics #45
- American Film Institute #55
- Cahiers du cinema #24
- The Village Voice #51
- IMDb #110
47
Cléo de 5 à 71962
- British Film Institute, critics #14
- British Film Institute, directors #52
- BBC Culture #44
- The Criterion Collection listed
48
L'Avventura1960
- British Film Institute, critics #72
- British Film Institute, directors #38
- Cahiers du cinema #36
- BBC Culture #45
- The Criterion Collection listed
49
Late Spring1949
- British Film Institute, critics #21
- British Film Institute, directors #62
- BBC Culture #53
- Letterboxd #134
- The Criterion Collection listed
50
Goodfellas1990
- British Film Institute, critics #63
- British Film Institute, directors #28
- American Film Institute #92
- IMDb #18
- Letterboxd #30
51
Mulholland Drive2001
- British Film Institute, critics #8
- British Film Institute, directors #22
- Cahiers du cinema #86
- Letterboxd #217
52
Raging Bull1980
- British Film Institute, directors #22
- American Film Institute #4
- IMDb #195
- The Criterion Collection listed
53
Modern Times1936
- British Film Institute, critics #78
- British Film Institute, directors #72
- American Film Institute #78
- Cahiers du cinema #65
- The Village Voice #67
- IMDb #53
- Letterboxd #238
- The Criterion Collection listed
54
Come and See1985
- British Film Institute, directors #41
- BBC Culture #59
- IMDb #94
- Letterboxd #4
- The Criterion Collection listed
55
The General1926
- British Film Institute, critics #95
- American Film Institute #18
- Cahiers du cinema #16
- The Village Voice #32
- IMDb #219
56
Ugetsu monogatari1953
- British Film Institute, critics #90
- Cahiers du cinema #16
- The Village Voice #29
- BBC Culture #68
- Letterboxd #228
- The Criterion Collection listed
57
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb1964
- British Film Institute, directors #46
- American Film Institute #39
- IMDb #86
- Letterboxd #162
- The Criterion Collection listed
58
La Jetée1962
- British Film Institute, critics #67
- British Film Institute, directors #35
- Cahiers du cinema #45
- The Village Voice #66
- BBC Culture #86
59
Rear Window1954
- British Film Institute, critics #38
- American Film Institute #48
- IMDb #52
- Letterboxd #94
60
Madame de...1953
- British Film Institute, critics #90
- Cahiers du cinema #30
- The Village Voice #24
- BBC Culture #58
- The Criterion Collection listed
61
Lawrence of Arabia1962
- British Film Institute, directors #62
- American Film Institute #7
- IMDb #102
- Letterboxd #49
62
Chinatown1974
- British Film Institute, directors #72
- American Film Institute #21
- The Village Voice #21
- IMDb #172
- Letterboxd #153
63
Battleship Potemkin1925
- British Film Institute, critics #54
- British Film Institute, directors #93
- Cahiers du cinema #36
- The Village Voice #79
- BBC Culture #24
64
A Woman Under the Influence1974
- British Film Institute, directors #18
- The Village Voice #56
- Letterboxd #66
- The Criterion Collection listed
65
Fanny and Alexander1982
Fanny och Alexander
- British Film Institute, directors #52
- Cahiers du cinema #43
- BBC Culture #28
- Letterboxd #65
66
The Seventh Seal1957
Det sjunde inseglet
- British Film Institute, directors #72
- The Village Voice #33
- BBC Culture #30
- IMDb #240
- Letterboxd #144
- The Criterion Collection listed
67
A Man Escaped1956
Un condamné à mort s'est échappé
- British Film Institute, critics #95
- British Film Institute, directors #41
- The Village Voice #26
- Letterboxd #114
- The Criterion Collection listed
68
Casablanca1942
- British Film Institute, critics #63
- American Film Institute #3
- IMDb #47
- Letterboxd #188
69
A Brighter Summer Day1991
- British Film Institute, critics #78
- British Film Institute, directors #72
- BBC Culture #38
- Letterboxd #24
- The Criterion Collection listed
70
Shoah1985
- British Film Institute, critics #27
- British Film Institute, directors #72
- The Village Voice #72
- BBC Culture #96
- The Criterion Collection listed
71
Schindler's List1993
- American Film Institute #8
- IMDb #7
- Letterboxd #12
72
Metropolis1927
- British Film Institute, critics #67
- The Village Voice #40
- BBC Culture #16
- IMDb #123
- Letterboxd #246
73
Ali: Fear Eats the Soul1974
Angst essen Seele auf
- British Film Institute, critics #52
- British Film Institute, directors #52
- BBC Culture #66
- The Criterion Collection listed
74
Spirited Away2001
- British Film Institute, critics #75
- BBC Culture #37
- IMDb #32
- Letterboxd #42
75
All About Eve1950
- American Film Institute #28
- The Village Voice #77
- IMDb #147
- Letterboxd #93
- The Criterion Collection listed
76
Ikiru1952
- British Film Institute, directors #72
- BBC Culture #72
- IMDb #96
- Letterboxd #15
- The Criterion Collection listed
77
Children of Paradise1945
Les Enfants du Paradis
- Cahiers du cinema #9
- BBC Culture #46
- Letterboxd #194
- The Criterion Collection listed
78
The Great Dictator1940
- Cahiers du cinema #24
- IMDb #70
- Letterboxd #130
- The Criterion Collection listed
79
The Leopard1963
Il Gattopardo
- British Film Institute, critics #90
- Cahiers du cinema #24
- BBC Culture #35
- The Criterion Collection listed
80
Portrait of a Lady on Fire2019
Portrait de la jeune fille en feu
- British Film Institute, critics #30
- Letterboxd #46
- The Criterion Collection listed
81
Yi Yi2000
- British Film Institute, critics #90
- British Film Institute, directors #93
- BBC Culture #25
- Letterboxd #13
- The Criterion Collection listed
82
A Separation2011
- British Film Institute, directors #72
- BBC Culture #21
- IMDb #113
- Letterboxd #67
83
Sansho the Bailiff1954
Sanshō Dayū
- British Film Institute, critics #75
- Cahiers du cinema #76
- BBC Culture #61
- Letterboxd #63
- The Criterion Collection listed
84
The Piano1993
- British Film Institute, critics #50
- British Film Institute, directors #52
- The Criterion Collection listed
85
Parasite2019
- British Film Institute, critics #90
- British Film Institute, directors #93
- IMDb #35
- Letterboxd #14
- The Criterion Collection listed
86
The Apartment1960
- British Film Institute, critics #54
- American Film Institute #80
- IMDb #101
- Letterboxd #45
87
12 Angry Men1957
- American Film Institute #87
- IMDb #6
- Letterboxd #3
- The Criterion Collection listed
88
Meshes of the Afternoon1943
- British Film Institute, critics #16
- British Film Institute, directors #62
89
Cinema Paradiso1988
Nuovo Cinema Paradiso
- BBC Culture #26
- IMDb #46
- Letterboxd #16
90
Once Upon a Time in the West1968
C'era una volta il West
- British Film Institute, critics #95
- British Film Institute, directors #46
- IMDb #54
- Letterboxd #74
91
The Red Shoes1948
- British Film Institute, critics #67
- British Film Institute, directors #72
- Letterboxd #57
- The Criterion Collection listed
92
The Wizard of Oz1939
- American Film Institute #10
- The Village Voice #15
- IMDb #245
93
One Flew Over the Cuckoo's Nest1975
- American Film Institute #33
- IMDb #19
- Letterboxd #88
94
King Kong1933
- American Film Institute #41
- Cahiers du cinema #50
- The Village Voice #39
95
City of God2002
Cidade de Deus
- BBC Culture #42
- IMDb #26
- Letterboxd #10
96
The Spirit of the Beehive1973
El espíritu de la colmena
- British Film Institute, critics #85
- British Film Institute, directors #72
- BBC Culture #27
- The Criterion Collection listed
97
Sherlock Jr.1924
- British Film Institute, critics #54
- The Village Voice #42
- IMDb #211
- Letterboxd #102
98
Pickpocket1959
- British Film Institute, directors #93
- Cahiers du cinema #24
- The Village Voice #61
- The Criterion Collection listed
99
The Third Man1949
- British Film Institute, critics #63
- The Village Voice #30
- IMDb #231
- Letterboxd #249
- The Criterion Collection listed
100
Touki Bouki1973
- British Film Institute, critics #66
- British Film Institute, directors #72
- BBC Culture #62
- The Criterion Collection listed
The method
How it is scored
A film scores on each list it appears on. On a ranked list the placing is normalised against that list’s own length, so first place is worth a full point whether the list holds a hundred films or two hundred and fifty. Finishing first is finishing first, and the length of the queue behind you does not change it. An unranked list, an archive or a collection, cannot say more than “in”, so it pays a flat 0.55. Each list’s points are then multiplied by its weight, and the film’s total is the sum.
The sum matters more than it looks. Averaging would reward a film that one jury put first and nobody else mentioned, which is the exact profile of a national favourite or a critic’s hobby horse. Summing rewards a film that many independent juries reached for, which is what canonical means. Breadth is not a tiebreak bolted on afterwards. It is the measurement.
Percentages are against the theoretical maximum of 5.63, which is first place on every list at once. Nothing comes close, and the bars are scaled that way rather than to the leader so you can see it.
What went in, and what it is blind to
9 lists. The weight is the only editorial decision in the whole exercise, so it is stated here with its reason rather than buried in code.
Sight and Sound: The Greatest Films of All Time (Critics)
The reference poll of the field. It has run every ten years since 1952, it is the list every other list is written against, and the 2022 edition polled 1,639 critics, programmers, curators, archivists and academics, by far the largest and most varied electorate it has ever had. Nothing else in this set has that combination of longevity and reach, so it carries full weight.
It is still the canon-forming Western critical establishment counting itself, and it still rewards films old enough to have been argued about for a decade or two. Recent cinema and popular cinema both place thin, and the ballot format of ten titles pushes voters toward safe consensus picks.
The published listSight and Sound: The Greatest Films of All Time (Directors)
Run alongside the critics poll every decade since 1992, and answered in 2022 by 480 working directors. It is a genuinely separate electorate rather than a slice of the critics, which is the reason to count it at all, but it is a third of the size and its result is noisier, so it sits just under the critics list.
Filmmakers vote for the films that taught them to make films, which favours craft over argument and canonises influence rather than achievement. The electorate is invited rather than open, so its shape is an editorial choice by the BFI, and at 480 ballots a handful of votes decides most of the lower half.
The published listAFI's 100 Years...100 Movies, 10th Anniversary Edition
Below Sight and Sound because the jury may only consider American films, by charter. It is the best reading there is of one national canon, but it cannot rank world cinema at all, so it can only ever confirm half of an argument.
American films only, by charter, and a jury drawn largely from the US industry: studio narrative features over documentary, animation and the avant garde, and a visible pull toward films that were also commercial events.
The published list100 Films for an Ideal Cinematheque (Cahiers du cinema Top 100)
Below Sight and Sound because the electorate is one national critical constituency, 78 voters almost all of them French, assembled by a single magazine and published under its imprint. It is an argument from one tradition, not a survey of the field.
Strongly French and auteurist. French production takes roughly a third of the hundred, Hollywood enters mostly through the directors the auteur theory adopted, and Asian, African and Latin American cinema barely register.
The published list100 Best Films of the 20th Century
Below Sight and Sound because it was taken once, at the close of the century, and never reissued. Nothing in it has been retested against a later consensus, and a poll that is never rerun cannot show whether a reputation held.
Stops at 1999, so nothing from this century can appear. It also leans hard into the New York avant garde and underground, which is why it carries films no other list here counts at all.
The published listThe 100 Greatest Foreign-Language Films
Below Sight and Sound because it is a corrective rather than a survey: no English language film is eligible, so it cannot rank cinema against itself and its ordering is only meaningful inside its own exclusion.
Excludes English language film entirely, by design. That exclusion is the reason it is counted here: it is the counterweight to the anglophone tilt of the other three, not a general ranking of the medium.
The published listIMDb Top 250, captured 7 September 2026
The largest sample of any source counted here, and the least considered. It is a running average of user star ratings, weighted to resist ballot stuffing, which measures how many people enjoyed a film and were moved to say so. That is enthusiasm, not durability, and it is gathered from whoever happened to be online rather than from anyone asked to defend a choice. It is worth less than half a critics' poll for that reason, and it is worth counting at all because a film the public keeps returning to for thirty years has demonstrated something a jury cannot.
Heavily anglophone, heavily recent, and drawn from a rating population that skews young and male. It rewards films that were widely released with English audio or subtitles and are easy to stream now, so availability reads as quality. Genre cinema with a devoted following outperforms quiet or difficult work, and anything before sound is close to invisible.
The published listLetterboxd Top 250 Narrative Feature Films, captured 7 September 2026 as the top 250 of Letterboxd's Top 500 Films
A weighted average rating from a self-selected film-enthusiast population, which is a better-informed crowd than IMDb and a smaller and more fashion-driven one. It still measures how much a film was liked by whoever chose to log it rather than whether it holds up under argument, and the site has changed its rating algorithm more than once, moving hundreds of films without a single new opinion being formed. It sits a notch below IMDb because the sample is smaller and the list is more volatile.
A young, online, festival-literate audience that skews modern: a film from the last five years can enter near the top on release-week enthusiasm. It over-rewards the arthouse titles that circulate on the platform and under-rewards the studio classics its users treat as already settled. Access again decides the field, since a film has to be findable on a subscription service before enough members can rate it.
The published listThe Criterion Collection, spine catalogue read 7 September 2026
Not a vote and not a ranking: a licensing and restoration decision made one film at a time over forty years, by an editorial house whose entire business is deciding what deserves preserving. That makes admission a real and independent signal, and a slower-moving one than any poll, because a spine number is expensive to award and never revoked. It is held below a critics' poll because it is one organisation making it, and because what Criterion can release is limited by who will sell them the rights.
A commercial archive with the taste of a specific American arthouse tradition: European postwar cinema, the Japanese studio era, and the New Hollywood generation are all covered far more densely than Indian, African, or Chinese-language cinema. Rights availability decides much of the rest, so major studio properties are largely absent no matter how canonical, and inclusion says nothing about order.
The published list
What was deliberately left out
This is the half of the method that decides whether the result means anything, so it is not an appendix.
They Shoot Pictures, Don’t They 1,000 Greatest Films
It is itself an aggregate of the polls counted here. Including it would count Sight and Sound twice, once directly and once through a meta-list, and hand it the heaviest weight in the system while looking like added breadth.
Rotten Tomatoes and Metacritic
Both measure the percentage of reviewers who were positive on release, which is a different question from whether a film lasted. A film every critic mildly liked in 1998 outscores one half of them hated and the other half called a masterpiece.
Box office and awards
Neither is a claim about quality. Best Picture has gone to films nobody defends and passed over most of the entries below.
Who actually decides this list
Counting by list flatters the method, so here it is counted by institution. The two Sight and Sound polls are separate ballots with genuinely different electorates, and neither one dominates on its own. They are also the same organisation asking its question its way in the same year, and together they are much the largest influence on the result.
- British Film Institute
- The Village Voice
- BBC Culture
- Cahiers du cinema
- The Criterion Collection
- Letterboxd
- American Film Institute
- IMDb
A gate fails the build if any one institution passes 55 percent, and flags it above 35. It is flagged. Read the ranking knowing that.
What this cannot fix
Averaging biased lists does not produce an unbiased one. Every poll here was voted on mostly by Western critics and mostly by men, most of them treat the feature film as the unit of art, and all of them favour films that have had time to be argued about. A composite inherits all of that and then launders it behind arithmetic, which is more dangerous than a single list with a byline, because it looks like a measurement.
The one correction applied here is deliberate: a list restricted to films not in English is included at full weight for its size, precisely because the others tilt the other way. It is a thumb on the scale and it is named as one. Read this as the best available summary of what a particular tradition has decided to keep arguing about, which is a real and useful thing, and not as a measurement of what is good.
The other hundred
This page has no taste of its own, which is its whole value and its whole limitation. The list with a byline and an argument is 100 Films That Actually Matter, and where the two disagree, the disagreement is the interesting part.